Acting I

Syllabus

Professor: Evelyn Diaz Cruz                                                                                                     
Course:  THEATRE 111
Office & Phone: Camino 176; 619-260-7877                                                                                   
E-mail: diazcruz@sandiego.edu
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REQUIRED TEXT:  
Benedetti, Robert, The Actor in You:  Sixteen Simple Steps to Understanding the Art of Acting.  Fourth Edition (Available for purchase at the USD Bookstore).

ADDITIONAL READINGS: 
Xeroxed Handouts (Konstantin Stanislavski & Uta Hagen), as well as scenes and monologues excerpted from plays will be placed on reserve at the library and/or handed out in class.  These plays are also available for purchase at local bookstores or Samuel French.

GOALS AND OBJECTIVES:  This course is designed to provide an introduction into the basics of stage acting.  The students will gain basic skills in acting, analyzing, improvisation, visualization, breathing, and relaxation as well as a working vocabulary of theatre terms.  Recognizing that the dynamic field of theatre is a useful tool for communicating in any arena, this course also serves as an excellent opportunity for students to sharpen their public speaking skills.   

STRUCTURE OF THE COURSE:  This course will focus primarily on the unique aesthetic of theatre through theatre exercises, scene work, discussion, and examination of diverse contemporary literature. Theatre exercises will be utilized to facilitate the creative process as well as foster an environment of trust within the class.  Critical thinking skills will be gained through the reading of literature, discourse and written assignments.

Students are expected to be on time and ready to work in comfortable clothes that allow for movement.  Recognizing that feedback and receiving critiques is a skill worth cultivating, this class will provide a basis for such an exchange in a positive and supportive manner.  All members of the class will work towards creating an environment that is celebratory of each other=s work.
(Note:  Although not likely, this syllabus is subject to change in order to take full advantage of theatre related opportunities and guest speakers.)

This course deals with mature content material.  If this is a concern for you, please see me right away.

ATTENDANCE POLICY:  Attendance is mandatory!  Your presence is critical to the success of this class.  Students will be allowed three excused absences, any additional absences will lower your grade by one entire grade level.  Emergencies (verifiable death, verifiable illness, verifiable religious holy day) will be handled on a case by case basis and at my discretion.  Personal commitments, vacations, etc. are not considered emergencies. 

TARDY POLICY: It is not permissible to be late for this class!  Actors learn punctuality as a necessity, not a virtue: Being on time means being five minutes early.  This is a performance class and an interruption of your colleagues work will be interpreted as disrespect and not tolerated.  If for some verifiable reason you are late you must wait outside the door until you are absolutely sure it is not an interruption to enter (e.g. hear applause, or actors end their scene and exit).  Never knock on the door!   Note: Three tardies constitute one absence.

LATE WORK:  There is absolutely no late work or make-ups under any circumstance.  Failure to present a scene or turn in written work when it is due will result in an automatic grade of AF@ for that assignment.  No exceptions! 

COURSE REQUIREMENTS/ASSIGNMENTS:

Students are required to purchase tickets to three productions (TBA).     

Writing Assignments:

  • Three Play Reviews:  Guidelines will be provided (minimum 3 pages with standard margins). 
  • Five quizzes on the readings (Benedetti’s, THE ACTOR IN YOU).
  • Final Project Reflection Paper:  Guidelines will be provided (minimum 3 pages with standard margins).  This paper will also include a grade you assign for your collaborators.
  • Final Professional Resume with head-shot:  Guidelines will be provided.

Scene Work:

  • Lip-sync:  Perform a lip-sync to a song of your choice.   Create the world of the song and situate yourself within it to deliver the message.  This is not an impersonation exercise.  (2-3 minutes.)
  • Monologue: 2-3 minute monologue from either the list of recommended plays, or a book of contemporary monologues that you have pre-approved with me.  (2-3 minutes.)
  • Two person scene:   A two person scene from the list of plays on this syllabus or you may choose an alternate if you have it approved by me ahead of time.   (10-15 minutes)
  • Three Person Scene:  You will perform a scene in collaboration with at least two other partners from the class.  It is important to note that 20% of your grade for this project will be determined by your collaborators.  I would therefore encourage you to maintain a professional and responsible attitude.  We will define and discuss this grading criteria more in depth during class.  (15-20 minutes or a minimum of 5 minutes per person)
  • Final AuditionPrepare and perform a 1 minute monologue for an audition (with head-shot and resume). 

WEIGHT OF ASSIGNMENTS: 

Preparation (attire, attitude, etc.)    
Participation/Attendance  
Play Reviews 
      (3 @ 50 each)
Quizzes on Reading
      (5 @ 20 points each)
Lip sync                                                                                       
Monologue                                                                                   
Two Person Scene                              
Three Person Scene                             
Final Reflection Paper    
Final Audition & Resume         
TOTAL POINTS:               

 

100
100

150

100
100
100
100
150
50
100
1000

GRADES:

900 - 1000 = A (range)
800 -   899 = B 
700 -   799 = C
600 -   699 = D
0   -   599 = F










 

 
 
 
 
  ©Copyright 2009, Evelyn Diaz Cruz.
All rights reserved.